Grammy-nominated musician Eric Alexandrakis released his fifth album “Love’s a Bitch” on Monday, creating a unique and nostalgic project that appeals to a young and lovesick generation.
Although Alexandrakis has maintained a low profile throughout the years, his newest release attracts music lovers who appreciate fresh, alternative grooves and an 80’s-inspired sound.
Like any good artist, Alexandrakis’ creative aura and inspiration stem from his distinctive experiences.
The artist’s past is anything but uneventful, with heavy roadblocks that shaped his resilience, according to his official website. On top of being a cancer survivor, he has also dealt with familial and generational trauma.
The combination of losing his father to a Nazi attack and having to endure medical difficulties have given him an outlet to express his emotions through music. Alexandrakis is the only individual in his family to become a musical artist.
His well-rounded and intelligent mind is evident in the different styles and interpretations of music he released prior to his
fifth album.
Past projects include various Christmas renditions such as, “Here Comes the Snow!” and “Stealing Christmas,” which reached U.S. radio charts.
“Love’s a Bitch” and his previous projects are heavily influenced by the rhythms
and grooves of European disco.
Alexandrakis’ earlier albums, including “Terra Nova” and “Tra -> Tra” mixed upbeat harmonic patterns with a hint of alternative edge.
His newest album repeats this theme but adds a more vibrant and light touch. “Love’s a Bitch,” brings a small ray of sunshine into the darkness that hides behind his words and experiences.
Track no. 1, which also serves as the title track, illustrates an intense and obscure introduction.
Listeners might be initially deceived, as it starkly stands out from the other tracks. The introductory song is mysterious, dark and heavy. Alexandrakis whispers in a raspy voice accompanied by a contrast of falsetto singing in the background.
Alexandrakis sings, “There once was a guy named Mitch, who one day had said love’s a bitch.” The opening line of the track sets a mystifying tone as it follows the feelings of someone discontented with love.
This sinister theme fades gracefully as the album moves into a more upbeat feeling with the next song,
“I Love Me.”
The song exudes a carefree attitude reminiscent of The Beatles.
The anger and intensity from the introduction diminishes as feelings of resolution come to the forefront.
Alexandrakis faintly touches on heartbreak and personal dilemmas but consistently repeats a memorable and hopeful line, “It’s okay because I love me.”
“She Sparkles,” is another notable track on the album. The sentiment of longing for love and life becomes evident within the playful pulses and flow featured on the song.
The chorus repeats, “She sparkles in the sky / And blinds my earthly eyes / And rides a comet through my eyes / And asked me to stay.”
Alexandrakis paints an earthly description of his vision regarding a lover.
Listeners can experience a desire to seek pleasure and adventure while enjoying the song. The track feels nostalgic, as if it should be blasted in the car on a road trip with the windows down.
One of the last stand-out songs is “Mediterranean Sun.”
Track no. 4 presents electrifying beach vibes as Alexandrakis highlights a craving for romance.
Alexandrakis depicts arguing, confrontation and romantic struggles that are juxtaposed by an upbeat pitch and tempo. The repetitive lyric, “I’m in love with the summertime” demonstrates a strong craving for new love after experiencing heartbreak.
His newest album displays his ability to express different sentiments including love
and frustration.
Although Alexandrakis has been presented with countless life challenges, his dynamic songs show a passion for life, creativity and human relationships despite any cost.
